What’s also unique is that the Mustang Micro is itself a USB-C interface. Guitarists report an average of 4–6 hours of battery life per charge - plenty to get you through a weekend gig or worship set. Unlike other headphone amps, the Mustang Micro features an onboard rechargeable lithium-ion battery to keep you juiced up on the go. And when it’s time to take your music on the road, the Mustang Micro’s articulating plug (compatible with both Strat- and Tele-style electrics) folds flat for easy storage in a front pocket.
#MUSTANG MICRO SOFTWARE#
Hands-on controls for EQ, amps, and effects eliminate the need for software control. Whether you’re jamming at home, tracking in the studio, or even gigging out on the weekend, this tone-loaded processor is all you need to get great guitar tone.
#MUSTANG MICRO BLUETOOTH#
Bluetooth pairing is also a doddle, and the built-in audio/video sync means that latency won’t be an issue if you’re playing along to lessons.Īs a no-fuss home practice tool, beginner amp, travel rig, or even an emergency pedalboard amp, there’s no reason why all of us shouldn’t have one of these stowed away in our gigbags.The Mustang Micro headphone amp/audio interface is the simplest way to get your hands on Fender’s next-level Mustang GTX amp and effects models. The sounds might be limited, but they’re all hugely impressive for a unit this size. It’s a little frustrating if you’re used to more tweakability, but that’s not really the point here – the stated aim is to get you playing along to your favourite songs or backing tracks with minimal fuss and good sound, and in that regard, it succeeds with aplomb. You may have noticed we haven’t mentioned drive – that’s because the models cover bases from clean to high-gain but there’s no way to tweak the level of drive within each preset. There’s also an uncoloured direct-to-desk sound that’s ideal for bass and acoustic, or for recording into an amp modeller. If that all seems a bit confusing, fret not – the Micro comes with a handy credit card-sized reference sheet for the amps and effects and their corresponding LED colours, and before long you’ll instinctively be pairing the red amp (a ’65 Deluxe Reverb) with the cyan effect (a very fun stereo delay modelled on the iconic TC 2290) without worrying too much about the details.Īll the amps and effects are borrowed from the Micro’s Mustang GTX big brother – effects comprise combinations of delays, reverbs and modulations, while amps run the gamut from classic Vox and Marshall to modern Mesa, EVH and Bogner-inspired models, with a healthy smattering of bona fide Fender emulations thrown in. Amp does what it says on the tin, EQ offers five different presets, effects is similarly self-explanatory, while modify enables you to select from five different effects parameters, or switch the effect off entirely.
Selecting your sound is the job of four sets of +/- buttons on the unit’s near side, each with a corresponding multi-coloured LED.
Plugging in a set of wired 3.5mm headphones (no Bluetooth ’phones due to latency, sadly) and switching the unit on, we’re instantly greeted with the familiar sound of a ’65 Twin Reverb paired with tasteful hall reverb, and with a twist of the big master volume knob up top, we’re rolling. Its matte black design is a little bland but the build feels both sturdy and lightweight, and thanks to the adjustable jack socket, it plugs in easily to every electric guitar we have to hand.
Simplicity and utility are the order of the day with the Mustang Micro.
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